Vocal Production Powerhouse
Become a total badass at producing expressive, professional vocals at home — without being a tech nerd.
You have no idea how good your vocals can actually be.
I'm serious. Most people cutting vocals at home aren't bad — they just got handed a bad process somewhere along the way, and now the thing that should be the most fun part of making music feels like a fight.
Cutting vocals and stacking harmonies should be FUN. If you're dreading it, hating the takes, second-guessing every comp — you didn't fail. You just made a big ol' boo-boo somewhere down the line and nobody showed you the way back.
That's what this is. Me showing you the way back — and more importantly, showing you why the way back works, so you're not just copying moves, you actually get it.
Here's the whole thing:
I sat down with a blank session and a finished beat, hit record, and produced a vocal from actual scratch to actually done. No cuts. No "and now here's the finished version" magic-trick edits. You watch the real thing — the good takes, the messy ones, the fixes, the calls I make and why I make them.
This isn't a highlight reel of cool moves. It's the reasoning behind every single one — so when your voice, your song, your session doesn't look exactly like mine, you still know what to do.
Every move, timestamped, so you can jump straight to exactly what you need:
Session Setup & Philosophy
Before a single note gets recorded — how I set the room, the singer, and myself up so the take is good before I ever touch a plugin. (Spoiler: it's not about the gear.)
Recording & Comping Hacks
How to actually get a great take instead of 40 mediocre ones — and how to comp them together so it sounds like one performance, not a science experiment.
Mixing for Creativity & Flow
The difference between mixing like a technician and mixing like an artist. This is where "it sits in the mix" stops being a mystery and starts being a decision you know how to make.
Vocal Stacking Like a Diva
Harmonies, doubles, ad-libs — how to layer a vocal so it sounds massive and intentional, not muddy and accidental.
Vocal Tuning & Cleanup
How to tune and clean a vocal without it sounding like a robot sang it. The line between "polished" and "personality-erased," and exactly how not to cross it.
Every single one of these exists because you told me exactly what you're stuck on — sounding amateur, wasting time on stuff that doesn't work, not knowing what's actually broken about your process. This is built to fix that, stage by stage.
What you get:
- The full session, start to finish — real-time, unedited, timestamped, with the why behind every decision, not just the what
- The raw vocal files — the actual takes, so you can practice on real material instead of your own stuff you're sick of hearing
- Bonus: Build Your Own Vocal Chain — I walk you through making a preset that's yours, so you stop copying random YouTube chains that don't fit your voice, and start understanding what each piece is actually doing
Real quick, so you know I'm not making this up:
I'm a Billboard-charting producer. I helped mixdown and refine a bunch of vocals on Miss Ko's Soul Food — which got nominated for Best Vocal Recording at the Golden Melody Awards (basically the Grammys of the Chinese-speaking music world). I produced the vocals for "Good Good Energy" by Audrey Callahan, which ended up on ESPN. I was also on TAEMIN's "VEIL," which hit #3 on Billboard's World Digital Song Sales — didn't cut his vocals on that one, but I was in the room and on the track. Still a banger, had to mention it teehee.
Point is: I do this for a living, at a level people fly across the country to do with me, or fly me thousands of miles to do with them. I've got several songs coming out a month with amazing artists, and I want to hand you the stuff it took me 15 years to figure out.
Two ways in:
Powerhouse + 1-on-1
+$350
Everything above, plus an hour with me on YOUR actual vocals. (Only a few spots a month — I actually show up for these and my time is very limited.)
Add 1-on-1 →And if it doesn't land?
You've got 60 days. Go through the whole thing, try it on your own vocals, and if you don't walk away producing better vocals than you are right now — email me, full refund, no weird hoops. I'm not here to take a single dollar from someone I didn't help. That'd be a lousy way to do this.
Come on. You know this should be fun.
Let's get your vocals where they're supposed to be — and get you actually understanding how they got there. I got your back. Always. :)